"While filming a scene for Season Three of Game of Thrones, Emilia Clarke found herself being heckled. The Khaleesi might have been in the process of checking out the Unsullied, a ferocious slave army willing to lose their nipples with nary a peep, but the “very overexcited Moroccan men” playing the soldiers were busy checking out the lovely 26-year-old Brit and her equally lovely co-star Nathalie Emmanuel. And whistling. And catcalling. It was a moment that called for a graceful intervention. “So basically when the cameras weren’t rolling, I made sure that I individually eyeballed every single one of them until they realized that we were a force to be reckoned with,” Clarke says. “Just because we were girls didn’t mean that we couldn’t be badass.” Without her having to say a word, her tactic brought the men to a heel: “They underestimated the intensity and ferocity of a woman’s stare.” Adds executive producer D.B. Weiss in his telling of the story, “Then she came back to the tent and talked for a good 10 minutes about how funny it would be in a later scene if Dany farted in the bathtub."
— Emilia Clarke (Rolling Stone Magazine)

"I loved movies so much, sometimes, I’d shove them down the front of my pants. I liked the way they feel."


INTERVIEWER: Give me one of your purely satisfying mean moments. TINA FEY: The first thing that comes to mind is a more recent one, when Amy Poehler and I were in the airport last week in Toronto and we were getting hassled by this middle-aged businessman who was doing that thing that middle-aged businessmen do, being rude. And then Amy, in the middle of the airport, screamed, “Fuck you, you fuckin’ dick, you fuckin’ rich asshole.” And it was so satisfying—it was immediate release. She would probably be mortified that I told you. (x)


“I was imaginative, a bit of a dreamer but quite a timid child. I wasn’t confident – I think childhood is one of the most uncertain and terrifying places to be. I don’t know if I’d want to go back there. But I do remember being completely involved in imaginary games that would last for days, weeks. It was always magic, sorcery, living in trees. A lot of just living in imaginary worlds. I don’t think I’ve lost that. It’s just now I’m doing it as a job.”


“Hi, Romina? Ro, it’s me. Listen, I’m trouble. I’m in somebody’s house. I want you to do me a favour, I won’t ask you for anything else again, okay? Listen, I don’t want you to tell him about me, okay? Hello?”







“We put limitations on the way that we think about things, on ourselves, think about all the boxes we live in, male or female, you’re this age, that age, this is your job, this is not your job, everything is about getting boxed in. I think we accept a lot of those boxes, that labeling, and the way that we perceive the world, but what even is perception? It all seems pretty flexible to me.” - Brit Marling